Alexej von Jawlensky
Alexej von Jawlensky was born March 13 1864 BirthTorschok, Russia.
Died Mar 15 1941 deathWiesbaden, Germany.
Categories: Painting Blaue Reiter Expressionism Documenta Kassel
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Alexej von Jawlensky wird gemäss dem Julianischen Kalender am 13. März (gemäss dem Gregorianischen am 26. März) in Torshok, im russischen Gouvernement Twer geboren. Der Vater Georgij Nikiforovic Javlenskij ist Oberst und in zweiter Ehe mit Alexandra Petrowna Medvedewa verheiratet. Jawlensky hat einen älteren Stiefbruder, Konstantin, einen älteren Bruder, Sergej und zwei jüngere Brüder, Dmitrij und Alexander, und er hat eine ältere und eine jüngere Schwester, Nina und Vera…
Selection of paintings created by the artist during the active period of Der Blaue Reiter.
Drawings
3 Paintings
Alexei von Jawlensky’s piece, Portrait of a Woman, was inspired by the work of his contemporary Wassily Kandinsky. Learn about von Jawlensky’s work with tips from an art historian in this free fine art video.
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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