Ashley Bickerton
Ashley Bickerton was born 1959 BirthBarbados.
Lives and works in HomeBali, Indonesia.
Categories: Installation art Painting Sculpture Objects Neo-Pop
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Documents of modern & contemporary art.
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Artworks of Ashley Bickerton.
Self-Portrait as a Desert Island Head – after Neruda.
Ashley Bickerton was born in the West Indies in 1959. He studied at the California Institute of the Arts, graduating in 1983 and continued his education in the Whitney Independent Studies Program. In the early 1980s, Bickerton emerged in the New York art world as part of the Neo-Geo artists, along with Jeff Koons, Peter Halley and Haim Steinbach…
Tormented Self-Portrait (Susie at Arles). MOMA
Fear and suspicion melt away in the face of laughter. When I as a carrier of the virus America arrive on some distant shore, I am received with both dread and wonder. I must strip myself of vanity, lizard and cow. And lay myself naked to reveal the hairless, smelly, horny primate that I am’. Ashley Bickerton
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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