Bart van der Leck

Leck, Bart van der





Bart van der Leck was born Nov 26 1876 BirthUtrecht, Netherlands.
Died 1958 deathBlaricum.

Categories: Painting Printmakers de Stijl

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Documents of modern & contemporary art.

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Artist website
2 Works in the Tate collection
In addition to the paintings by Bart van der Leck that form part of the permanent display in the Van de Velde wing, the museum is currently exhibiting a modest selection of this artist’s works on paper and pottery in the print room of the Quist wing…
De Leeuw’s introduction to Rietveld and the painter Bart van der Leck around 1930 brought renewed vigor to the store. Van der Leck designed the firm’s logo as well as an assortment of bags and boxes in his inimitable style of fragmented letterforms with primary colors, all properly reflecting Metz & Co.’s combination of exclusivity and the avant-garde. The bag’s restraint and air of sophisticated modernity is no less contemporary today…
Works in the MOMA collection

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art book recommendations



Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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