Cady Noland’s work addresses breakdown in our culture’s social and political fabric as well as in individuals. Her gallery shows often involve a sprawling myriad of objects assembled together in carefully organized randomness, that one critic described as "aggressively inconclusive".
Beyond a cage-like door are 1100 six-packs of red, white and blue beer cans completely lining the walls. Silver scaffolding fences them in, draped in Budweiser banners and American flags. Tools and equipment lie at random on the floor, left where the artist last used them…