Christoph Ruckhaberle
Ruckhäberle
Christoph Ruckhaberle was born 1972 BirthPfaffenhofen, Germany.
Lives and works in HomeLeipzig, Germany.
Categories: New Leipzig School Painting
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Documents of modern & contemporary art.
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15 Works
Christoph Ruckhaberle’s leisurely scenes operate like dysfunctional stage plays. Cribbed from all the best bits of art history, he imbues his scenes with a contemporary newness of vivid patterns and design colours. His elaborate sets are backdrops of static energy against which his cast nonchalantly mingles: placid and bored, unaware of their own interaction with an expectant audience. This sense of waiting is the delight in Ruckhaberle’s work…
The artist studio
Christoph Ruckhäberle raids the abandoned reservoir of painting history.
Seemingly known subjects as street scenes, portraits, battle scenes, and interiors emerge in front of the spectators eye, only to fall apart at closer look and to betray his expectations…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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