Eamon Everall

Everall, Eamon





Eamon Everall was born Oct 6 1948 BirthAldershot, Hampshire, England.
Lives and works in HomeEast London.

Categories: Painting Stuckism

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Documents of modern & contemporary art.

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"I work from life whenever possible. I usually have the subject in front of me. Some paintings are worked on over a period of years, others a mere few months. There are many layers – if you were to X-ray the paintings, you would see a web of significant changes. It’s hard work, but at times I feel elated and in a state of grace, as things come together. I regularly read books on paint chemistry, technique, history of art, composition and the perceptual process. I consider this knowledge an important part of the painter’s method."
Works on Saatchi Gallery
"I work from life whenever possible. Some paintings are worked on over a period of years, others a mere few months. There are many layers – if you were to X-ray the paintings, you would see a web of signi?cant changes…"

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art book recommendations



Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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