Ernst Neizvestny
Ernst Neizvestny was born April 9 1925 BirthSverdlovsk, Ural Mountains, Russia.
Lives and works in HomeNew York City, USA.
Categories: Sculpture Objects Printmakers Soviet Nonconformism
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Documents of modern & contemporary art.
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"I think of sculpture not as a person, animal or other natural or geometrical form situated in space: the sculpture contains within itself a dialogue between spirit and flesh."
…He was apprenticed to many masters such as Vuchetich, Tomsky and Kerbel. ‘Only now am I beginning to appreciate what I learned then’, admitted Neizvestny. ‘In those years’, he added, ‘I had no differences with the school.
Many works online
Despite honors and privileges bestowed on him by the Soviet
government, Ernst preferred to have the freedom to work openly
on the themes of his choice. In 1976, he was finally allowed to
leave his homeland of Sverdlovsk (Ekaterinburg) in the Ural
Mountains. He now resides in the United States…
Mask of Grief
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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