Franz Marc

Marc, Franz





Franz Marc was born Febr 8 1880 BirthMunich, Germany.
Died March 4 1916 deathVerdun, France.

Categories: Blaue Reiter Painting Expressionism Documenta Kassel

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Marc suffered from severe depressions from 1904 to 1907. In 1907, he went again to Paris, where he responded enthusiastically to the work of Paul Gauguin, Vincent van Gogh, the Cubists, and the Expressionists; later, he was impressed by the Henri Matisse exhibition in Munich in 1910…
Works in the collection of Fine Arts Museums of San Francisco
Im Vergleich zu den weichen Rundungen der »Blauen Pferde« vom Vorjahr ist diese Fassung kompakter und in der Angleichung der Pferdeleiber an Kreisformen entschiedener. Dass Marc inzwischen, bestärkt durch die Kubisten, die Vereinfachung und Geometrisierung bewusster einsetzt, zeigt auch die Himmelswölbung, die die Kreismotive der Pferdegruppe aufnimmt…

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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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