Gajin Fujita
Gajin Fujita was born 1972 BirthLos Angeles, USA.
Lives and works in HomeEast Los Angeles.
Categories: Figuration-Libre-Graffiti Painting Prospect 1 New Orleans
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Documents of modern & contemporary art.
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This artist makes wildly disparate psychological, experiential and syntactical spaces that both collide and reside happily under an umbrella of technical mastery at once beautiful and banal…
Using acrylic over the gold leaf and spray paint, Fujita adds figurative elements that are at once pretty and fierce. Samurai, demons, kung-fu fighters, lotus flowers, fancy fish and geishas rest cheek by jowl with the more meticulously designed graffitiesque verbiage…
Works
His paintings are elaborate fusions of contemporary urban street life and traditional Japanese iconography…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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