Grace Hartigan

Hartigan, Grace





Grace Hartigan was born March 28 1922 BirthNewark, NJ, USA.
Died Nov 15 2008 deathBaltimore, USA.

Categories: Abstract Expressionism Painting Documenta Kassel

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In 1959 the Museum of Modern Art in New York sent an exhibition called "The New American Painting" to eight European countries. Only one woman was included in this famous exhibition—Grace Hartigan.
Born in Newark and raised in Millburn, she signed her early work with the name George Hartigan in order to find gallery representation and avoid sexism, as few women artists were able to show their works in the 1950s…
Inclement Weather’
Hartigan was part of New York’s Abstract Expressionist movement during the 1950s…

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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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