Hannah Hoch
born Joanne Höch
Hannah Hoch was born Nov 1 1889 BirthGotha, Germany.
Died May 31, 1978 deathBerlin.
Photomontage.
Categories: Printmakers Dada Collage
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Photomontage portfolio
In 1912, Braque and Picasso inaugurated synthetic Cubism with collages containing natural, everyday objects. However, the development and popularization of collage owes its success to Dada, Futurism, Surrealism and Pop Art…
In the early 1920’s Hanna was involved fellow dada artist Raoul Hausmann. Hausmann was married and remained with his wife. Around 1926 they split up and Hanna started a relationship with Dutch writer Til Brugman. The two women lived together in until 1929. Hoch was briefly married to Kurt Matthies but remained childless. She continued to create and show her work through out her life. She died in Berlin 1978.
Höch arbeitete als Malerin, Grafikerin und Fotomonteurin. Im Jahr 1912 zog sie von Gotha nach Berlin, um dort an der Kunstgewerbeschule zu studieren…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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