J. E. H. MacDonald
James Edward Hervey MacDonald
J. E. H. MacDonald was born May 12 1873 BirthDurham, England.
Died Nov 26 1932 deathToronto, Ontario, Canada.
Categories: Group of Seven
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This case was one of those bizarre things one hopes never to see again. This lovely painting was brought in for restoration in two pieces. A Montreal framing establishment attempted to ‘transfer’ the paint layer from this panel to a new support presumably due to the damage to the panel…
J. E. H. MacDonald was the major force and inspiration in the formation of the Group of Seven…
Born in Durham, England in 1873. Died in Toronto, Ontario in 1932. J.E.H MacDonald RCA came to Canada with his family in 1887. He studied art at the Hamilton Art School and the Central Ontario School of Art and Design in Toronto. He joined the Grip Ltd. advertising agency in 1895 as a commercial artist, where he met Tom Thomson and a few of the future members of the Group of Seven…
Works in the collection of the National Gallery of Canada
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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