Jane and Louise Wilson

Wilson, Jane and Louise
Wilson Twins




Jane and Louise Wilson was born both 1967 BirthNewcastle-upon-Tyne, Scotland UK.
Lives and works in HomeLondon.

Categories: Sculpture Objects Multimedia Photography BritArt Sharjah Biennale

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Using film, photography and sculpture, the Wilson twins have created a series of highly theatrical and atmospheric installations that investigate the darker side of human experience. They first began working together in 1989, and have since been fascinated by the power of the unconscious mind, creating a body of work which probes collective anxieties and phobias, arouses unwanted memories, and reveals things which are usually repressed.
The Wilson sisters’ latest show veers between horror film and comedy. There’s a chunk of still photographs, but essentially they play around with the main focus of the show – a video installation piece, Erewhon, with screens on walls, ceilings and reflected in mirrors…
…Higgs, a sheep farmer, and Chowbok, an old man, decide one day to visit the forbidden country that lies beyond the mountains. When they find a pass through the mountains, Chowbok gets frightened and runs home, so Higgs goes on alone. After a dangerous journey, he wakes one morning surrounded by beautiful shepherdesses. They take his belongings, give him a medical exam, and throw him in jail…
Jane and Louise Wilson explore the psychological dynamic of architecture: preferably institutional, often defunct, rarely commercial, and mostly off limits. Working in video, they create multiscreen installations that place the viewer in a maze of moving images recorded in locations as diverse as the former East German Secret Police Headquarters in Berlin, an American cruise missile base on English soil, London’s House of Parliament, Russian cosmonaut training facilities, or a phalanx of Las Vegas casinos…

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“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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