Javier Mariscal
Javier Mariscal was born 1950 BirthValencia, Spain.
Categories: Postmodernism Design
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Documents of modern & contemporary art.
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"Mariscal is thought of as a kind of blender, in which Calder and Vázquez, Miró and Micky Mouse, Matisse and Crumb are found in equal measures. The result is Mariscal, a professional in design, comics and painting, who does not consider himself a professional and who vindicates this mixture."
Conversation with the artist (Spanish)
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Multidisciplinary designer Javier Mariscal is a household name in Spain. Based in Barcelona as principal of Estudio Mariscal, his imagination and unique style comes to life in comics, illustrations, graphic, industrial and textile design, painting, sculpture, multimedia, animation and interior design.
Due to his versatile artistic career, his iconoclastic sense of humor, his explosive imagination and his controversial genius, Mariscal is a unique character in Spanish contemporary design.
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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