Jean-Paul Riopelle

Riopelle, Jean-Paul





Jean-Paul Riopelle was born Oct 7 1923 BirthMontreal, Canada.
Died March 12 2002 deathIle-aux-Grues, near Quebec City, Canada.

Categories: Art Informel Printmakers Painting Documenta Kassel

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Documents of modern & contemporary art.

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Works in the TATE gallery
Subsequently, Riopelle’s work has been extensively exhibited internationally, including the Guggenheim International and the Pierre Matisse Gallery in New York; Museum of Modern Art in Brazil; the Galerie d’Art Moderne in Basel, Switzerland; the National Gallery of Canada in Ottawa; the XXVI Venice Biennial in Italy, and the XXXI International Biennial of Art in Italy where he was awarded the Unesco prize in 1962.
3 Works online
Lithographies

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art book recommendations



Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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