Jenny Holzer
Jenny Holzer was born July 29 1950 BirthGallipolis, Ohio, USA.
Categories: Installation art Painting Neo-Conceptualism Postmodernism Site specific art Der Kaiserring Venice Biennale Singapore Biennale
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Documents of modern & contemporary art.
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Although best known for her arresting and contradictory texts, and her skillful manipulation of mass media channels—ranging from text-laden, light-emitting diode (LED) signs to street posters, plaques, and even brief television spots—Jenny Holzer has demonstrated significant skill in conceiving and implementing site-specific installations.
Installation, 42nd street, New York City / Biography.
Truisms
32 Works in the TATE collection
Works in the MOMA collection
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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