Lothar Hempel
Lothar Hempel was born 1966 BirthCologne, Germany.
Lives and works in HomeCologne.
Categories: Installation art Sculpture Objects Relational art
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Documents of modern & contemporary art.
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Just because you’re ashamed it doesn’t mean you’re free…
"A loose group of film-makers starts to improvise around the idea of making a movie. They start with a basic idea: the victims of a plane crash are stranded in icy mountains. Forced to accept their situation they soon have to face up to the next step, surviving survival. There are discussions and arguments and the group falls apart into subgroups. Each sub-group starts to follow their own ideas. In some ways their fictive situation is analogous to that of the film- makers, who quickly fall out, unable to find an area of agreement. Each one of them has begun to…
Morning Rain
Working across a wide range of media, Lothar Hempel stages elaborate theatrical possibilities, placing the viewer as an autonomous character engaging in his constructed dramas according to their free will…
New Media Art
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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