Louise Lawler
Louise Lawler was born 1947 BirthBronxville, New York, USA.
Lives and works in HomeNew York city.
Categories: Postmodernism Installation art Conceptual Art Documenta Kassel
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Documents of modern & contemporary art.
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About the artist, with works
Lawler’s subject, and obsession, remains the ordinariness of the awesome, specifically, the low materials of the high mysteries which end up in our great shrines and temples of art…
The work of Louise Lawler is presented in an ostensibly clear program, as work on the conditions, procedures, instances of presentation, framing and circulation of works of art. She photographs art and its spaces, but to disturb her skillfully channeled economy of attention span and attachment…
5 Works online
Louise Lawler’s mostly photographic work collapses a variety of art-world positions, including artist, curator, photo editor, dealer, graphic designer, critic, and publisher, raising open-ended questions about the place, value, meaning, and use of art…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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