Her interest lay in the tension between order and chaos, between geometric and biomorphic forms, seriality and singularity as well as between continuity and constant change. She often chose non-traditional materials to express this, such as string, sand or latex and placed her work in unfamiliar positions: so that sculptural arrangements were often hung from the ceiling or stretched across individual spatial sequences, leant against the wall or continued on the floor, in this way retaining their change-based appearance…