Noritoshi Hirakawa
Noritoshi Hirakawa was born 1960 BirthFukuoka, Japan.
Categories: Photography Relational art
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Documents of modern & contemporary art.
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Works
Subject’ is the first architectural photography project by Noritoshi Hirakawa, who is renown for his erotic and intimate images of young women and dancers. Here his models are staged within the University of Toronto’s Graduate House designed by Thom Mayne, in a contemporary "tableau vivant"…
The Composition of Desire
"La dune II"
…The question that Hirakawa cannot answer—and is no clearer after this performance—is, “Does America really have a conscience?” The value of Hirakawa’s work lies in our consideration of this question. The glossy reality of current American life may have left such consideration far behind.
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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