Oleg Tselkov
Oleg Tselkov was born 1934 BirthMoscow, Russia.
Lives and works in HomeParis, France.
Categories: Soviet Nonconformism Painting Sculpture Objects
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Documents of modern & contemporary art.
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In 1960, for the first time, I painted a canvas with two strange, pinkish-white faces. Suddenly I had a feeling that there was something in those faces, that I had found a path I could continue to travel…
Though actively participating in the artistic life of the underground, Oleg Tselkov rarely showed his works at unofficial nonconformist exhibitions, which took place in private flats, in scientific and research institutes, and in culture-houses. This is why, in the 1970s, he participated neither in the famous "bulldozer exhibition" nor in the exhibition "in Izmailovo"…
Peintre, décorateur de théâtre.
Two with Axes
Two-Faced, Oil on canvas
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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