Otto Freundlich

Freundlich, Otto





Otto Freundlich was born 1878 BirthStolp, Germany.
Died 1943 deathLublin-Maidanek, Polen.

Categories: Painting Sculpture Objects Novembergruppe Documenta Kassel

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Der Schöpfer dieses Bildes Otto Freundlich (Stolp/Pommern 1878 – 1943 im KZ Lublin-Maidanek), Maler und Bildhauer, wohnte in den 1920er Jahren in Deutschland und Frankreich und war einer der wichtigen Vermittler zwischen der deutschen und der französischen Kunstszene. Als Mitglied der Gruppe „Abstraction – Creation“ in Paris und der „Gruppe progressiver Künstler Köln“ hatte er sich in seiner Malerei der Abstraktion mit einem strengen geometrischen Bildaufbau zugewandt…
11 works online
MOMA collection
Cleveland Museum of Art

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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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