Paul Cezanne

Cezanne, Paul





Paul Cezanne was born Jan 19 1839 BirthAix-en-Provence, France.
Died Oct 22 1906 deathAix-en-Provence.

"Father of Modern Art"

“For an impressionist to paint from nature is not to paint the subject, but to realize sensations”

Categories: Post Impressionism Painting Impressionism Documenta Kassel

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Works in the MOMA collection
Works in the Hermitage collection

"When I was in Aix, I thought I would be better off elsewhere. Now that I’m here, I regret Aix… when one is born there, that’s it, nothing else appeals."

Works in the Guggenheim collection
Works in the TATE collection
How should we look at Cézanne? Pablo Picasso regarded him as a “mother hovering over,” Henri Matisse as “father to us all.” Inevitably, our understanding of Cézanne’s painting is colored by later cubism and abstraction, focusing attention on the formal aspects of his work. His reduction of the visible world into basic, underlying shapes, the faceted brushstrokes that seem to reconstruct nature through purely painterly forms, the fracture and flattening of space—all these can be seen as the beginnings of modern art. Yet Cézanne himself stressed that he painted from nature and according to his sensations, seeking to realize a “harmony parallel to nature.”
Cézanne associated with the Impressionists, but always had other aims. He said that his ambition was to ‘make of Impressionism something solid and durable like the art of museums’. Cézanne’s work was discovered by the Paris avant-garde during the 1890s. It had a significant influence on Picasso and the development of 20th-century art…

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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

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James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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