Pierre Huyghe
Pierre Huyghe was born 1962 BirthParis, France.
Lives and works in HomeParis.
Categories: Relational art Hugo Boss Prize Multimedia Venice Biennale Whitney Biennial Sydney Biennale
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Documents of modern & contemporary art.
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Biography and work.
Guggenheim.
The Third Memory
Celebration Park features objects, texts, architectural features and films, all orchestrated within the exhibition space to create a landscape of discovery. Designed to stimulate ideas and freedom of thought, visitors experience a number of surprising apparitions, such as a set of gigantic doors which dance through the gallery. Huyghe references numerous different cultural forms in this exhibition including puppet shows, community celebrations and natural history films, in order to investigate the relationship between art and society…
One Million Kingdoms, 2001, is the most recent in a series of animated films in which a Japanese anime character, the brooding young girl AnnLee, is inserted into various dramas…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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