Guiseppe Pinot-Gallizio
Categories: Painting Situationism International Sydney Biennale
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…Most often it is where confusion and decadence have been pushed to the extreme, where their social and economic importance is asserted the most, that one should expect to see the negation of this decadence emerge. Gallizio is accordingly Italian.
Aware of the problems that truly affect us, in this interregnum between civilizations in which we find ourselves caught, Gallizio forsakes painting – whether respectably figurative or abstract, or action painting, and in any case as modern as in 1930. He extends it into other realms, all the realms on which he touches with an extraordinary inventive spirit. They follow one another in succession and are called chemical experiments, resins, resin painting, scented painting. In 1955, Gallizio was one of the founders of the Experimental Laboratory of the Imaginist Bauhaus…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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