Robert Bevan
Robert Polhill Bevan
Robert Bevan was born 1865 BirthEngland.
Died 1925
Categories: Camden Town Group
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2 Works online
Works in the TATE collection
Horses were always a favourite subject, and London cabyard and horse sale scenes are in Brighton Museum, the Tate Gallery, Southampton Art Gallery, the Ashmolean Museum in Oxford and other public collections.
After training in London and Paris, Bevan worked in the early 1890s at Pont Aven in Brittany where he met Gauguin. The influence of French Post-Impressionism with its emphasis on the flat, patterned surface of the painting and its use of prominent outlines, is very clear in Bevan’s work, but his paintings tend to use more subdued colours, appropriate to his English, urban subjects…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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