Sally Mann Bibliography. a selection
Immediate Family.
Sally Mann has exhibited and taught nationally. Her work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Chrysler Museum, the Corcoran Gallery, the San Francisco Museum of Modern Art, and other major collections around the country. She has received grants from the NEA, the NEH, the Friends of Photography, and the John Simon Guggenheim Foundation. She lives in Lexington, Virginia, with her husband and three children, whom she continues to photograph as part of an ongoing project. All of the photographs in Immediate Family were taken with an 8-by-10-inch view camera.
Sally Mann: The Flesh and The Spirit.
Sally Mann: The Flesh and The Spirit is the first in-depth exploration of this world-renowned artist’s approach to the body. Throughout her career, Mann has fearlessly pushed her exploration of the human form, tackling often difficult subject matter and making unapologetically sensual images that are simultaneously bold and lyrical. This beautifully produced publication includes Mann’s earliest platinum prints from the late 1970s, Polaroid still lifes, early color work of her children, haunting landscape images, recent self-portraits and nude studies of her husband. These series document Mann’s interest in the body as principal subject, with the associated issues of vulnerability and mortality lending an elegiac note to her images.
What Remains.
This well designed book is divided into sections that explore life and especially death in its many guises - accidental, violent, natural - and the remains of the deed, matter with which we the living must deal. There is the death of a family greyhound shown with grief and simplicity, the violent death of a criminal killed on Mann’s property and the gore of that event and aftermath, a series of views of dead bodies in a morgue, and dark landscape survey of Antietam (a battlefield fro the Civil War) that is haunting and all too reminiscent of ongoing battlefields we still create, and finally some views of her own children’s faces.
At Twelve: Portraits of Young Women.
Sally Mann has captured on film the vunerability of young women who do not yet fully comprehend the world they are born into. She exposes them as they are…immature…yet beginning TO mature. Fearless….yet fearful. The photographs in this book possess a haunting quality which stays with the reader long after the book has been put down.

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