Sam Taylor-Wood
Sam Taylor-Wood was born 1967 BirthLondon, England.
Categories: BritArt Multimedia Photography
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Soliloquy I
What do you do when you’re an artist known as much for your fame as for your artwork? Sam Taylor-Wood has always walked this fine line. The photographer and video artist exploded with the other YBAs in the 90s, married Jay Jopling (the owner of the White Cube gallery in Hoxton Square, London) and has spent the rest of her career hanging out and depicting the iconic and infamous. She even created the world’s largest photographic installation, wrapping Selfridges in a giant celeb-filled image…
Soliloquy VI
Sam Taylor-Wood is a photographer and filmmaker whose panorama, Five Revolutionary Seconds XI, combines elements of the still and moving image. Made with a rotating camera that turns nearly 360 degrees in five seconds, the work records the motions and gestures of six actors and friends enlisted by the artist…
Five Revolutionary Seconds XIII and Soliloquy I
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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