Sona Abgarian

Abgarian, Sona





Sona Abgarian was born 1979 BirthBerd, Armenia.
Lives and works in HomeYerevan, Armenia.

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In my works I often reflect upon children’s education and problems of youth and women, which I believe are especially important in the process of building a “civil society”. I am especially interested in cooperation with girls of my age. In 2001 with Tzomak, Nara, and Nata we created the “Incest” rock band. The term “insect” was very symbolic for us, because it expressed our opposition to the culture…
UTOPIANA
I would hardly believe in the values and ideas of a society I live in after Armenian Azerbaijan war, and after the terrorist act of the 27th of October in Armenian Parliament. The rights of this society are for the nationalists, for “strong men”. There are also rights for women who are silent, cunning and “fertile”. I am criticizing this kind of world and the people who invented these values, the society where there is no equality and freedom.

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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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