Tim Noble & Sue Webster

Webster, Tim Noble & Sue





Tim Noble & Sue Webster was born Tim: 1966; Sue: 1967 BirthStroud; Leicester, England.

Categories: BritArt Photography

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Documents of modern & contemporary art.

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Essay and images.
Toxic Schizophrenia is a classic badass tattoo, constructed from 516 little light bulbs. Blaring violently bright and self-indulgent, Tim Noble and Sue Webster take pop art to the extreme, blowing it up in lights like fly-by-night casino chintz. The artist design and make these light paintings themselves, creating a DIY glam that’s better than the real thing…

For fifteen years Tim Noble and
Sue Webster’s dark, witty and original works have addressed issues of sexuality, identity,
self-representation and taboo…

Tim Noble and Sue Webster are united by their fascination with the mechanics of the media and advertising industries, and by the notion of the young British artist as celebrity.
Dirty White Trash [With Gulls]

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art book recommendations



Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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