Timur Novikov

Novikov, Timur
Timur Petrovich Novikov




Timur Novikov was born Sept 24 1958 BirthLeningrad, Russia.
Died May 23 2002 deathLeningrad.

Categories: Painting Soviet Nonconformism Writing

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Biography and portrait
Wenn Kunst sich erschlösse wie, das Königreich im Märchen, dann brauchten wir nur Timurs Wink zu folgen, um die drei obliegenden Rätsel zu lösen: er nennt sie Schönheit, Heiterkeit und Mühelosigkeit…
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An important aspect of the activity of the “New Artists”1 was their theorical activity. Many of the works produced by the “New Artists” in the fields of music, theatre, painting and literature possessed a clearly defined theoretical basis. One of the fundamental elements was the theory of recomposition, a theory which was published in the form of several articles by the critic Potapov2 in our art-theorical journal “Novost”. One could say that the theory of recomposition arose out of articles printed in journal during the years 1982-1984. What is this theory?…

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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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