Yaacov Agam
Yaacov Agam was born 1928 BirthIsrael.
Categories: Op Art Design Documenta Kassel
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The father of kinetic art, Yaacov Agam has shattered the traditional barriers of space and time with his progressive and diverse body of work.
Orchestration—Counterpoint’ and ‘Transparent Rhythms II’
Museum Jan van de Togt
How do you show an idea such as happiness or love, using only color or shapes? This has been a problem that many artists in the past 100 years have tried to figure out. Yaacov Agam is one of these artists…
The Art and Technology Foundation presents an exhibition dedicated to Yaacov Agam. A pioneer of kinetic art in the 50s, Agam has since continued his line of extensive experimentation with new mediums, including cutting edge technologies.
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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