The photographs are part of the series The Strait: A Record of Northern Ennui (2001), in which the Moroccan/French photographer Yto Barrada (b. 1971) sketches the life without prospects in the northern Moroccan city of Tangier…
I thought: people say it’s better to have no life at all than a life full of holes. But then they say: better an empty sack than no sack. I don’t know.’
Barrada’s photographs and videos reflect her double cultural identity and raise the question of the “passage” between South and North, North Africa and Europe…