Nina Chanel Abney
Categories: Painting
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Nina Chanel Abney
Works and biography
Nina Chanel Abney
Khaaliqua & Jeff
Beautiful Brown One
Half of Nina Chanel Abney’s fourth-floor walk-up apartment in Jersey City, New Jersey, looks like it belongs to a typical 26-year-old. Comedy and Spike Lee DVDs are stacked on shelves around a TV, lucky bamboo shoots garnish a blond wood coffee table, and a jumbo-size bag of Twizzlers sits on her kitchenette table. To the left of the futon, however, an entire wall is covered with her latest 7- by 12-foot diptych: Two canvases, exploding in a riotous palette of colors, show the aftermath of a murder at a casino. Cartoonlike figures—including a mustached cocktail waitress crouched on a barstool and a bespectacled man wrapped in an American flag with his brain oozing out of his head—shrink in horror…
Nina Chanel Abney
4 Works online
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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