Categories: Multimedia Drawing
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Gabriel Acevedo Velarde
Gabriel Acevedo Velarde’s video work is groundbreaking and refreshingly different. Not unlike William Kentridge’s work it is based on the artists own accomplished drawings, which are brought to life with the camera. This is, however, where comparisons end. Animation is a rare and quite new form within the arts, particularly when it is derived from classical drawing. The soundtrack is without dialogue, so the narrative unfolds largely visually…
Gabriel Acevedo Velarde
Acevedo’s distinctive figures tell the artist’s own parables of society and the human condition. Pre-historia, a 30 minute film made from a storyboard of quick drawings on paper is filmed in a raw style, revealing the tape-marks where the paper is held in place. As a conceptual device it functions to expose the creative process and it also serves to remove the viewer one step from the experience of the unfolding narrative…
Gabriel Acevedo Velarde
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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