Ib Geertsen
Categories: Concrete Art Hard-Edge Painting Sculpture Objects
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Ib Geertsen
If you talk about art that moves, about actual movement in art, you are talking about mobiles. But you cannot talk about mobiles without talking about Ib Geertsen. A significant part of Ib Geertsen’s oeuvre has become synonymous with light, independently balanced sculptures of wire and the like, that float as drawings in the room where they have been hung. Geertsen calls them ‘drawings in the air’, because this is what they are. He first started making these three-dimensional ‘drawings’ around 1950. Through the next half century he has developed this unique type of drawing, which has ancestors in both painting and sculpture.
Ib Geertsen
Mobiles
Ib Geertsen
Ib Geertsen is practically a father figure within Denmark’s artistic household. Generations of Danish artists have grown up with his colorful formalism in museums and public spaces, and now a younger audience has rediscovered Geertsen’s sensuous cool.
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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