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Alejandro and Moira Sina
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Alejandro and Moira Sina
Spinning Shaft, 1978
Alejandro and Moira Sina
The light sculpture produces spectacular and mesmerizing optical effects. Works such as Spinning Shaft combine elements of kinetic and light art with digital technology to great effect…
Alejandro and Moira Sina
During May light artists, and One Million Points Of Light participants, Alejandro and Moira Sina created a series of neon works for the ballet premier of “Penumbra”, staged at the Institute of Contemporary Art, Boston, USA…
Alejandro and Moira Sina
Neon Rainbow, the second New York Sky Event in the summer of 1976, consisted of a three hundred foot polyethylene arc that soared 150 feet above the 59th Street Pond in Central Park and was visible for miles…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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