Simon Patterson

Simon Patterson | the artist

The artist Simon Patterson
Born 1967, Leatherhead Surrey, England.
Style and technique of the artist: Installation art, Conceptual Art,

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Original artworks, prints, exhibition posters, monographs, books, collectibles.

Patterson is fascinated by the information which orders our lives. He humorously dislocates and subverts sources of information such as maps, diagrams and constellation charts; one of his best known works is The Great Bear.

Biography and art, auction, artworks, interview, statement, website:
simon patterson
Simon Patterson studied at Hertfordshire College of Art and Design and Goldsmiths College, London until 1989. He is interested in information systems, such as the London Underground map, which he humorously subverts in his best known work, The Great Bear. Patterson replaced the names of stations with names of philosophers, film stars, explorers, saints and celebrities, and thus drew parallels between spatial orientation and formations of identity through education and popular culture. In 1996 Patterson was nominated for the Turner Prize.

simon patterson
Patterson’s ongoing fascination with the arbitrariness of nomenclature also finds new resonance in a wall drawing. It pits American Presidents against ancient Mesopotamians, an omelette that’s perhaps over-egged by the proximity of notorious cowboys and a film that splices the exit strategies of escapologists with those of an aircraft. In this typically jokey exhibition, the only claim to subtlety resides in a hypnotic exploration of the eroticism of machinery which is reminiscent of Duchamp’s Large Glass…

simon patterson
A different form of homage appears in Patterson’s “Name Paintings,” in which he has silkscreened a name in a black, typewriter-style font at the center of a white canvas. He always chooses people, like Che Guevara, who summon up canonical images. The series was represented here by its earliest examples, Richard Burton and Elizabeth Taylor (both 1987). In counterpoint to Warhol’s glamorous portraits, these are informed by Conceptual art’s clinical restraint—in this case dryly applied to subjects notorious for their excesses…

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