Zhang Dali | the artist
The artist Zhang Dali
Born 1963, Harbin, China.
Lives and works in Beijing, .
Zhang Daliartworks on eBay
Original artworks, prints, exhibition posters, monographs, books, collectibles.
Biography and art, auction, artworks, interview, statement, website:
Interview with the artist
According to the artist, immigrant workers who have traveled from the rural areas all over China to earn a living in construction sites in Chinese cities, are the most important members of the Chinese race, who are shaping our physical reality. Yet, they are the faceless crowd who live at the bottom of our society. To cast them in resin is a way to recognize their existence and contribution as well as to capture a fast-changing point of time in the Chinese society…
Zhang Dalis work traces the course of Beijings massive urban transformation of the past decade…
Zhang Dalis work actively engages with the rapidly changing environment in China. Zhang started working in portraiture as one of Beijings first graffiti artists, spraying and carving heads into the walls of the hundreds of buildings scheduled for destruction. Working across a wide variety of media from urban art, to archiving photographs of Mao, and large scale installations Zhangs portraits document a contemporary social history of a culture in radical development and flux.<br /><br />Chinese Offspring is one of Zhangs best known works. Consisting of 15 cast resin figures suspended from the ceiling, each sculpture is a representation of a migrant construction worker, a vast underclass who contribute to the modernisation process at it most visible level. Since 2003, Zhang has made 100 of these effigies in tribute to their unsung heroism. Zhangs work not only champions the individual plights of these transient labourers, but also records the one of the most important phenomena of new Chinese order: the growing schism between poverty and wealth. Zhangs figures are hung by their feet to denote their vulnerability and economic entrapment. Each bears a unique tattoo issuing them with an edition number, the Chinese Offspring project title, and the artists signature of authentication a normal practice in indexing art construed as a witty commentary on social engineering and population control.